«Worth watching»
KinoDobirka editorial rating
7.5 / 10
Mike Flanagan returns to the work of Stephen King, this time adapting one of the author’s best-known stories — Carrie. The series premiered on Prime Video on October 7, 2026, with the first season consisting of eight episodes. King himself serves as an executive producer.
At the center of the story is Carrie White, a withdrawn high school student who has spent her entire life under the control of her fanatically religious mother. After her father’s death, Carrie enters a regular school for the first time and faces the cruelty of her classmates. At the same time, her telekinetic abilities begin to emerge.
Flanagan brings the story into the present day and makes social media an important part of the conflict. Carrie’s humiliation no longer ends when the school bell rings: viral posts, online bullying, and constant surveillance intensify her isolation.
The main reason for expanding the story into a series is the opportunity to develop King’s relatively short novel in greater depth. Rather than sticking to a straightforward adaptation, Flanagan introduces new storylines, explores Carrie’s mother Margaret and her classmates in more detail, and brings in other characters with supernatural abilities. This is where the series both gains and loses something: the additional material gives the characters more depth, but at times it draws attention away from Carrie herself.
Summer H. Howell is particularly effective as Carrie. Her portrayal is much quieter and more vulnerable than the version of the character established by Brian De Palma’s 1976 film. Samantha Sloyan also makes a strong impression as Margaret.
At the same time, the new Carrie may not appeal to viewers expecting another extremely dark and brutal take on the classic story. Flanagan places greater emphasis on character psychology, empathy, and the reasons that drive people toward cruelty. As a result, some critics have found the series less frightening and less radical than the original story.
There is also one major departure from the novel: the series leaves Carrie alive after the events of the prom, opening the door for a potential continuation. Flanagan does not yet have a definite plan for a second season, but the finale clearly leaves that possibility open.
My verdict: Carrie (2026) works best when viewed as a new interpretation of King’s novel rather than an attempt to surpass De Palma’s film. The series is strongest when Flanagan explores loneliness, bullying, family control, and the way modern technology can intensify teenage cruelty. At the same time, the expanded mythology and groundwork for a potential continuation somewhat weaken the intimate focus of Carrie’s story.
Who it's for: Carrie will appeal to fans of Stephen King, psychological horror, and character-driven stories about bullying, family trauma, and teenage isolation. It is also worth watching for those interested in Mike Flanagan’s approach to horror, modern reinterpretations of classic stories, and adaptations that expand the original source material.
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